Conservation and discoveries in our paper collections

We have around 25,000 works of art on paper in Historic Royal Palaces’ collection. While many are on display, the vast majority are held in storage. These are delicate items and it’s essential to conserve and store them correctly in order to preserve them for posterity.

About ten years ago, we had a survey done of our collection of prints and etchings which were mostly framed and we found that many of them were deteriorating due to the frames themselves, so we started a project of first aid which would bring the prints to a stable . The project took two years to complete, and was finished in summer of 2019.

Many of our frames are made of acidic materials such as oak which over the years can transfer to the print making it go yellow or in extreme cases orange, like the poor chap above.

Other common problems with frames are: damage to the tape at the back which is mean to keep dust and small insects out, water damage and rusting nails, all of which can transfer to the print.

This print has marks of water damage; it may have some point in its life have been stored on a damp floor.
Our curators decided than in many instances the frames were of no particular value but the prints were, so in order to stop the damage we started with the removal of the frames.

Removing the frame is a straightforward job, often old newspapers are found to make a sort of lining between the print and frame. On the picture below you can clearly see the mark left by the oak frame, yellowing the paper.

This paper is The Standard from 1891; this page is all about ships leaving Britain for the colonies and their timetables; you could go to Australia and New Zealand for £14 and 14 shillings!

Sometimes the labels on the frame are interesting, in which case we would  keep them with the print. For instance, this label was found attached to a frame for a print of Lion Gate. It’s interesting that the Fine Art Society has been at 148 New Bond street since 1876 and is still there.

Once out of their frame, the prints are cleaned and checked for damage. Once stored in a polyester pocket, they can be safely kept without further damage for years. Removing the frame of an old print is often beneficial to the print itself. The picture can be cleaned of dust, mould and insects. It is easier to check the condition, and even if the frame needs to be kept, the print can go back isolated from the oak frame, which after 100 years causes yellowing. Newspapers are often interesting but are better replaced with acid free backing which will keep the print or watercolour in good condition for years to come.

Laurie Gibbs
Preventative Conservator

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