This month I’m liking…”A Bugaboo” by Richard Newton (1777-1798) published by William Holland 2nd June 1792.

A Bugaboo! by Richard Newton (1777-1798) published by William Holland 2nd June 1792. ©Historic Royal Palaces.
A Bugaboo! by Richard Newton (1777-1798) published by William Holland 2nd June 1792. ©Historic Royal Palaces.

No, I have no hankerings after posh prams. This month, I’m liking a political cartoon by Richard Newton. Of all the artists represented in our collection of satires depicting King George III, Newton is my favourite.  He was the angriest and the youngest of all of the known satirical artists. A Bugaboo! is widely considered to be amongst  his finest works because of the way he has managed to manipulate George III’s features.

The prime-minister, William Pitt, rides George III, depicted as a bugaboo- a slang term referring at once to a buggy and something with the ability to scare little babies. The Bugaboo bellows out “’Guards/ Encampments!’ ‘Proclamation!’ ‘Spies!’ ‘Spa Fields Bastile!’ ‘Bristol Bastile!’ ‘Birmingham Bastile!’ ‘Manchester Bastile!’ ‘Informers!’ ‘Confinement Dungeons!’ ‘Racks!’ ‘Tortures!’ ‘No Lenity!’ ‘No Mercy!’ ‘No Bribery!’ ‘Not even Petticoat influence shall prevail!!!’”

The towns of Bristol, Birmingham, Manchester, and Spa-Fields in Islington were notorious for their radicalism. Many were influenced by thinkers and writers such as Joseph Priestly and Thomas Paine who advocated for religious freedom, universal suffrage and most dangerously, in the case of Thomas Paine, republicanism. Radical groups in these towns distributed cheap copies of Thomas Paine’s “The Rights of Man” which systematically rejects any form of monarchy or hereditary government. In just one year 50,000 copies of this republican document were published.

William Pitt’s government were terrified that Britain might replicate the horrors of the 1789 French Revolution and took steps to limit the spread of revolutionary ideas. In May 1792, George III issued, at the behest of the government, the “Royal Proclamation Against Seditious Writings and Meetings”. Magistrates were told to actively seek out and prosecute writers and publishers of dissenting literature. The owners of pubs who allowed radical meetings were also liable for prosecution under the act.  Richard Newton produced “Bugaboo” in response. In it he expresses his fear of a totalitarian state, with Bastille-like prisons erupting across the country filled with political dissenters. It is unusually large- about twice as large as his usual format-as if to say that his anger was too great to be contained on a normal sheet of paper. George III’s face is made bulging and ridiculous measuring about 13 cms high.  William Pitt is depicted as being especially effeminate (always a bad thing in eighteenth century Britain) and officious.

Newton was quite correct to be furious and fearful.  1792 marked the start of a series of increasingly draconian measures by the government limiting freedom of speech, and movement. In 1793, The Aliens Act, which forced all foreigners entering Britain to register themselves was introduced with the aim of catching spies and limiting immigration.  The most radical of these laws was the 1794 suspension of Habeas Corpus, meaning that anyone who wrote or drew anything that the government found contrary, could be imprisoned without trial. In just two years, over 100 people were imprisoned for writing and publishing radical works.  Newton, then a mere boy of only 15 years old, drew this in full knowledge that he could face imprisonment for his actions.

I like this object because it reminds me that the freedoms I enjoy today such as the right to vote, own property and criticise the government have been hard won for me by others.

This is the first of our monthly “This month I’m liking…” blogs by the curators about their favourite items in the collections.

Polly Putnam Curator, Collections

Leave a Reply

Your email address will not be published. Required fields are marked *